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Good unions have a social justice heartbeat, and don't allow silence as an option. Inaction is surrendering to bigotry, division and a hopeless future.

Unit Publicist Wolf Schneider has been an IATSE member for 14 years, compiling a strong industry biography including the Focus release "Half-Brothers."

The presidents of SAG-AFTRA, the DGA and IATSE released a joint statement today saying that no agreement has been reached yet on a White Paper that will provide guidelines for the safe resumption of film and television production.

New Orleans' once-bustling film industry is preparing to reopen in July under strict new guidelines to prevent the spread of coronavirus, Mayor LaToya Cantrell said Wednesday.

ATLANTA — Gov. Brian Kemp announced recently a filming “best practices” guide for Georgia that offers guidance for Georgia’s thriving film and television industries to help reduce the spread of COVID-19 when productions resume in Georgia. The recommendations were developed in close cooperation with officials from studio and production companies who maintain a presence in Georgia.

The global entertainment sector is set to "lose $160 billion of growth" as a result of the novel coronavirus pandemic over the next five years, research firm Ampere Analysis estimated in a report on Thursday.

On Wednesday, L.A. County Board of Supervisors Chair Kathryn Barger delivered eye-opening details from yesterday’s meeting of the Los Angeles County Economic Resiliency Task Force.

“The reason we all work at nonprofits is because we support the mission of the nonprofits,” says Kayla Blado, who works at the Economic Policy Institute. It makes sense. Like many fields that involve doing something good for the world, nonprofit work tends to come with low pay and long hours. But now, more than ever before, it comes with something else: a union drive. The nonprofit union wave is rising right along with the intensity of the crises that nonprofits are dealing with in our bad, bad world.

Hollywood could learn a thing or two from the porn industry when it comes to protecting its film crews from a major health scare.

When — and how — will media and entertainment companies get employees and talent back into the workplace amid COVID-19? And what have industry leaders learned so far in managing work-from-home teams?