Industry & Labor

Television, obviously, is a medium of pictures. Yet for many, many years, owing to technical, practical and economic reasons, the pictures were not much to look at: flatly lighted, stolidly framed, fashioned to convey dialogue, broad action and necessary information but rarely to communicate mood or tell their own sort of story.

In the mid-1990s, soon after making his Spanish-language debut “Cronos,” director Guillermo del Toro tried his monster-friendly hand at an American studio film for the first time. But working with Miramax on “Mimic,” a sci-fi horror movie about a plague of cockroaches in Manhattan, left behind a bitter first taste of Hollywood for the burgeoning Mexican auteur.

The International Cinematographers Guild (ICG, IATSE Local 600) has announced its final list of award nominations for the 59th Annual ICG Publicists Awards, honoring individual publicists, unit still photographers and entertainment journalists that bring motion picture and television publicity campaigns to life.

In January 2021, following the inauguration of President Biden and the release of his COVID-19 vaccination plan, the union facilitated a letter to President Biden and the White Houses’ COVID task force offering the IA’s infrastructure and labor to build field vaccination sites.

Nominations are now open for the 2022 Young Workers Committee Conference! After this unprecedented year for our union, we anticipate more interest than ever for Local Unions to nominate Young Workers to attend our 2022 Young Workers Committee Conference (YWCC)

IndieWire reached out to the directors of photography whose films are in awards contention and are among the most critically acclaimed films of the year to find out which cameras and lenses they used and, more importantly, why these were the right tools to create the visual language of their respective films.

Lana Wachowski is embracing quantum magic moments now. In the past, "The Matrix Resurrections" director wanted to control the image and the light as much as possible.

If you’re a fan of cinematographer Dan Laustsen and want to hear how Nightmare Alley was made and the way he works with Guillermo del Toro, I’m about to make you very happy. Shortly before Nightmare Alley was released, I landed an extended and wide-ranging interview with Laustsen.

On the latest Go Creative Show podcast, Succession season 3 cinematographers Christopher Norr and Patrick Capone talk about the show’s multi-camera handheld-style and natural lighting.

Local 600 launches Pilot Mentorship Program

Local 600 has compiled a list of fantastic organizations to donate to this holiday season.