Industry & Labor

There is no other filmmaker that better embodies the possibilities and potential of filmmaking today than Emmanuel Lubezki. Working with Terrence Malick, “Chivo” elevated the naturalism of modern filmmaking into a new poetic language. With Alfonso Cuarón and their “Gravity,” he pioneered (and simultaneously mastered) creating cinema in a virtual workspace. With Alejandro González Iñárritu, he has tapped an exciting immersive side of using new tools.

Julia Swain’s documentary “Lady Cameraman,” about to be shown at the EnergaCamerimage Film Festival, celebrates female cinematographers – including Rachel Morrison (pictured), Reed Morano, Mandy Walker and Natasha Braier – and their success stories, including Morrison’s work on blockbuster “Black Panther.”

As the coronavirus outbreak bludgeons Hollywood with global travel restrictions, Alberta has rolled out rapid COVID-19 testing that has A-list stars now able to safely cross a closed U.S.-Canadian border and step onto a local film and TV sets in just two days.

The EnergaCamerimage cinematography fest, although moved online at the last moment owing to Poland’s new listing on Europe’s red zone of high COVID-19 infection rates, remains committed to honoring the finest in lensing from around the world, says Kazik Suwala, the org’s festival office director.

Donald Trump was a showman whose election in 2016 was in part due to his fame from The Apprentice, but President-elect Joe Biden and Vice President-elect Kamala Harris will come into office with much closer ties to the entertainment industry.

As film and TV jobs have migrated from Hollywood to production hubs all across the country, the industry’s reliably Democratic-voting union members could play a key role in the outcome of the presidential race between Joe Biden and Donald Trump. With razor-thin margins in the battleground states of Georgia, Nevada, Pennsylvania and Arizona, the thousands of industry workers who live and vote there could make all the difference.

Łukasz Żal shoots about one film per year. He allows the film to overtake him, creating mini chapters within his life, depending on the style, content, and emotional impact these projects imprint upon his life. With Oscar nominations from Cold War and Ida––two films by Pawel Pawlikowski––the Polish cinematographer teamed up with Charlie Kaufman for his first American film, I’m Thinking of Ending Things.

Remi Weekes’ “His House” centers around a couple Bol (Sopé Dìrísù) and Rial (Wunmi Mosaku) who have fled war in South Sudan for refuge in the United Kingdom, except their dream soon turns into a nightmare as “The Crown’s” Matt Smith, who plays a caseworker, shows them their new home. It’s infested with rats and soon after, they start hearing sounds within their walls.

The stakes in the election could not be much higher, as the COVID-19 pandemic rages out of control and the economy struggles to return to life.

With just days before Election Day, Hollywood unions are making the last-minute case to their members to get out and vote — and, in some cases, touting the appeal of pro-labor 2020 candidates in the process.

Join Local 600/ICG Magazine for our latest "Deep Dive" with NBC's American Ninja Warrior on Thursday, Nov. 12.

Over the last year, if an entertainment conglomerate hasn’t announced a shift to focus on streaming, does it really count as an entertainment conglomerate?